CINECHROME LUT COLLECTION
Here's a before & after of all the LUTs.
CINECHROME LUT Collection by Nicholas Klepper
This is my personal collection of go-to cinematic LUTs — built for both LOG and Rec709 footage. I use these daily to give my videos that clean, bold, and timeless look without overdoing it.
They’ve been tested on Sony, Canon, Blackmagic, ARRI, and RED, and work great across all kinds of content — whether you're shooting indoors, outdoors, landscapes, or documentary-style.
No need to waste hours color grading — just drop these LUTs on your footage and dial in the look fast.
Over 40 creators are already using CINECHROME to level up their visuals.
What You Get
• 8 custom LUTs for Rec709 (.cube files)
• 8 matching LUTs for LOG footage (.cube files)
• Works with Premiere Pro, Final Cut, DaVinci Resolve, Photoshop — basically anything that supports 3D LUTs
• A 8-minute mini course where I break down my full color grading workflow and show you exactly how I use these LUTs to get that cinematic look
What My Customers Are Saying
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“Cleanest color I’ve ever gotten from a LUT.”
I’ve bought a bunch of LUTs in the past and most of them either destroy my footage or need way too much tweaking. These actually made my edits look better instantly. I use the Cinechrome LOG pack with my Sony FX30 and it nails that cinematic look every time.
— Kevin P.
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“Made my iPhone footage look like a real camera.”
I’m just getting started with content creation and mostly shoot on my phone. I didn’t expect much, but wow — these LUTs completely transformed my videos. Super easy to use in VN, and the guide Nick includes is gold.
— Jasmine R.
⭐️⭐️⭐️⭐️⭐️
“These LUTs finally gave me a consistent style.”
I’ve been trying to get that polished, pro-level look for months and it always felt off. Cinechrome gave me the exact vibe I was chasing. Warm tones, clean contrast, and everything still feels natural — not overdone.
— Dylan M.
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“Helped me color grade way faster.”
I used to spend hours in DaVinci trying to figure out my grade. Now I just slap one of Nick’s LUTs on, adjust a few sliders, and I’m done. My workflow’s way faster and the results look way better than before.
— Ari S.
To Get the Best Results:
Lower the LUT opacity if it looks too strong — then tweak the contrast, highlights, and vibrance to match your style.
These LUTs work on any footage, but you’ll get the cleanest, most cinematic look if you're shooting in a flat picture profile like LOG C, SLOG, or C-LOG.
If your footage is already color corrected or baked in, stick with the Rec709 LUTs. If you're working with flat LOG footage, use the LOG versions for better results.
How to Use Them
When you apply a LUT and it looks too intense, don’t just lower the opacity right away. Start by adjusting your footage — bring down the contrast, highlights, and vibrance first. Once you’ve dialed that in, then tweak the LUT opacity if needed. I usually keep it around 70–90% — that way you still keep the color style without losing the full look.
Same goes for white balance. If your image feels too warm or too cool, fix the white balance first before adding the LUT — that alone can make a huge difference.
For best results, I recommend applying your camera’s official Rec709 conversion LUT first (you can usually grab it from their website), and then drop one of the Cinechrome Rec709 LUTs on top. That gives you the cleanest color starting point based on your camera.
And if you’re not sure how to install LUTs in your editing software, just search “how to install LUTs in [your editing software]” on YouTube — there are tutorials for everything.
Will these LUTs work with my camera?
Yep — the Rec709 versions have been tested on Sony, Canon, RED, ARRI, and Blackmagic. They’re built to work across the board. For best results, I recommend using your camera’s Rec709 conversion LUT first (you can grab it free from the brand’s website), then apply Cinechrome on top. I also include a tutorial showing you exactly how to make these work on any footage.
Do I get updates?
100%. If I update the pack, you’ll get an email with the new version — no extra charge.
Can I use them on iPhone footage?
Yes! I use them on iPhone clips all the time. Just move the LUTs into your Files app, then import them into your editor. I recommend the VN app — it’s free and super easy to use.