Cinematic Color in Seconds — Designed for iPhone Creators

**Your iPhone already shoots insane footage. These LUTs make it look cinematic.**

Stop spending 30 minutes fixing color.
Drop a PocketCine LUT on your clip and instantly get clean, bold, film-inspired color that makes your videos pop — without touching curves or nodes.

What’s Inside (iPhone-Optimized):

🎨 4 Rec709 LUTs
Perfect for creators who shoot standard iPhone footage or want quick, clean color with no setup.

🎞️ 4 Apple Log LUTs
Built specifically for Apple Log to unlock max dynamic range and color depth.

⚪ 1 Neutral Log LUT
A clean base conversion LUT for ProRes + Apple Log shooters who want a starting point for their own grading.

📱 Made Exclusively for iPhone 14 Pro, 15 Pro, 16 Pro, and newer
Perfect for both ProRes and HEVC Log workflows.

🎥 Compatible with CapCut, VN, DaVinci, Premiere, Final Cut
If it imports LUTs — it works.

⏱️ 5-Min Quick Tutorial (Included)
How to get perfect iPhone color every time — even as a beginner.

Who PocketCine Is For

• iPhone creators who want cinematic color with ZERO stress
• Filmmakers who shoot behind-the-scenes or travel footage on their phone
• Beginners who want their videos to look clean, polished, and pro without learning color theory
• Anyone tired of their iPhone footage looking flat, muddy, or overly digital

If you want your videos to look like a camera, not a phone — this is for you.

FAQ

Will these work on my iPhone?

Yes — fully optimized for iPhone models that shoot Apple Log or Rec709.

Do they work on ProRes?

Absolutely. They’re tested on both ProRes Log and HEVC Apple Log.

Can I use them in CapCut or VN?

Yes — both support LUT import (tutorial included).

Do I need to correct my footage first?

For the best results:
Fix exposure → white balance → apply LUT.
The quick-start guide shows you how in under a minute.

What makes these different from other iPhone LUTs?

Most LUTs ignore iPhone’s color quirks.
PocketCine is built specifically for:

• Apple Log’s tonal curve
• iPhone HDR softness
• Natural light + skin tones
• Over-sharpening/contrast behavior

The result?
Footage that finally looks cinematic — not crunchy or oversaturated.